The Hero’s Journey: Understanding The Initiation

The initiation phase of the Hero’s Journey can be broken down into six sections. The Road of Trials, The Meeting with the Goddess, Woman as the Temptress, Atonement with the Father, Apotheosis and The Ultimate Boon.

First, The Road of Trials:

This is a favorite phase of the myth-adventure. It has produced a world literature of miraculous tests and ordeals. The hero is covertly aided by the advice, amulets, and secret agents of the supernatural helper whom he met before his entrance into this region. Or it may be that he here discovers for the first time that there is a benign power everywhere supporting him in his superhuman passage.

Story and conflict go hand in hand. A story that lacks conflict isn’t a story at all. No one wants to read a story about someone who went through his day, comfortably and peacefully.

What would Rocky be if he won every fight in the first minute of the first round?

A story needs struggle. A great story shows the transformation of the character as he deals with conflict over and over again.

Which is why the roads of trials are considered to be the “favorite phase” of the myth adventure.

An example of such a road of trials can be seen in the popular television show Game of Thrones. Specifically, in the character Jon Snow. In his development, Jon Snow has everything from his loyalty, to love, to his understandings tested as he travels beyond the wall, into the land of wildings which he has been raised to hate. Not only does he make friends with the wildings but also falls in love with a wilding woman. His trials are both physical, as he literally has to fight for his life but also mental as he has to change his belief system. He sees the mistaken beliefs he possessed and how, by letting go of what wasn’t right, he comes to formulate his own beliefs and build his character. Not only does he then gain loyalty from the wildlings but others also flock to him which eventually leads to him being crowned the King in the North.

The hero, whether god or goddess, man or woman, the figure in a myth or the dreamer of a dream, discovers and assimilates his opposite (his own unsuspected self) either by swallowing it or by being swallowed. One by one the resistances are broken. He must put aside his pride, his virtue, beauty and life, and bow or submit to the absolutely intolerable. Then he finds that he and his opposite are not of differing species, but one flesh.

What follows either after the road of trials or during is The Meeting with the Goddess

Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know. As he progresses in the slow initiation which is life, the form of the goddess undergoes for him a series of transfigurations: she can never be greater than himself, though she can always promise more than he is yet capable of comprehending.

This figure can sometimes be seen as a motherly figure. Who can either represent an obstacle to overcome or act as another guide to aid the hero in his adventure.

In the Odyssey by Homer, Athena aids while Calypso is an obstacle. Frodo meeting the high elf Galadriel can be viewed as an example of Meeting with the Goddess. Galadriel not only imparts gifts upon the fellowship, gifts which come to be very useful in their adventure, but she also shows Frodo what would the future look like if he were to fail.

Woman as the Temptress is another phase in the initiation journey.

No longer can the hero rest in innocence with the goddess of the flesh; for she is become the queen of sin.

This phase is largely defined by temptation. Something that can derail the adventure, stop the hero from going all the way. This can come in the form of a human being, as seen in the story of Jon Snow. At one point, Jon Snow must decide whether he wishes to perform his duty, which is to return to his brothers at the wall and prepare for battle or run away with his love. Even though that love was pure it can still be a temptation because it would have pulled Jon Snow away from his goal.

Additionally, temptations also manifest inside the hero, inside his mind. A case of this can be seen when Frodo was tempted to give the ring to Sam. That moment of weakness can seem like an eternity because if you give in, it redirects the way your life had been going.

After the Goddess comes the father, specifically the Atonement with the Father.

When the child outgrows the popular idyl of the mother breast and turns to face the world of specialized adult action, it passes, spiritually, into the sphere of the father […] And just as, formerly, the mother represented the “good” and “evil,” so now does he, but with this complication—that there is a new element of rivalry in the picture: the son against the father for the mastery of the universe.

By overcoming the father, the son becomes a man. Either this father figure is defeated in battle or is persuaded through different means but the hero must confront the father one way or another.

This is a confrontation of someone in power. Without such confrontation, the hero can’t fully realize his potential. In Dune, for Paul Atreides to become Muad’Dib, he had to confront the all-powerful emperor.

Another example, this one much more literal than normal, the best example of this phase happens to be one of the most iconic scenes in cinema history. It is when Luke Skywalker discovers that Darth Vader is his father. It is the realization that the peace, the victory that Luke desires can only come by confronting and defeating his own father.

Apotheosis comes next.

Like the Buddha himself, this godlike being is a pattern of the divine state to which the human hero attains who has gone beyond the last terrors of ignorance. “when the envelopment of consciousness has been annihilated, then he becomes free of all fear, beyond the reach of change.” This is the release potential within us all, and which anyone can attain—through herohood.

This comes through a form of self-sacrifice. Sacrificing the old you, completely. The transformation of Gandalf the Grey into Gandalf the White is one of apotheosis. Such transformation was only possible after Gandalf willingly accepted acted in a self-sacrificing manner, by committing his life to save those of the other Fellowship members. By doing so, he was rewarded by being reborn.

The Jedi Masters, Obi-Wan, and Yoda, also achieve this state when they both sacrifice themselves but their spirit lives on.

The last phase in the Initiation part of the Monomyth is the Ultimate Boon.

The agony of breaking through personal limitations is the agony of spiritual growth. Art, literature, myth and cult, philosophy, and ascetic disciplines are instruments to help the individual past his limiting horizon into spheres of ever-expanding realization. As he crosses threshold after threshold, conquering dragon after dragon, the stature of the divinity that he summons to his highest wish increases, until it subsumes the cosmos.

The climax of the story, the ring is destroyed, Aragon takes the throne. What comes with this accomplishment is the transformation of the individual. He has become what he wished to be at the beginning of the adventure. That personal transformation is the ultimate reward, regardless of the riches that might come.

Rocky is a champion, Neo is the one, Voldermort is defeated, Simba gets his revenge and so on.

It is this personal transformation that attracts me towards the monomyths and mythologies in general. The stories of struggle and overcoming fears, choosing to face conflicts, purposely being uncomfortable and through it all, if one doesn’t give up, the transformation of their character for the better.

That’s what I take away from the monomyth. The attitude that one should have where you seek out the unknown, the uncomfortable, the road less traveled.

 

Reference: The Hero With A Thousand Faces

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